As independent contemporary Australian artists, taking our work from our shared studio in far reaches of tropical north Queensland and out into the broader global creative ecosystem can at times seem like a major milestone. There are always the ubiquitous 'Pay-to-Play Curation' services circling, and while we have had genuine offers from galleries to show internationally, splitting the costs to exhibit globally is cost-prohibitive given our current price point and remote location. That being said, there is some fantastic work out there by individuals with their own challenging paths so ultimately it is on us to continue to explore potential revenue streams.
The international art exhibit landscape is complex, which is why we recently travelled to Yokohama, Japan, for Tokyo Gendai - one of the most prestigious international contemporary art fairs in the Asia-Pacific region.

Held at the world-class Pacifico Yokohama venue, our journey wasn’t just an art appreciation exercise. It was an intensive fact-finding mission and creative pilgrimage... we do love a creative pilgrimage. We went with very specific agendas: to see good art, to study emerging global art trends, and to explore fresh, innovative pathways to market for independent artists.
We gathered incredible inspiration, took a deep look into the mechanics of the international art market, and - as much as our conscience would allow - we kept the cameras rolling.
Before we unpack the business side, you can watch our journey unfold in real-time. We have officially wrapped filming on a full-length, behind-the-scenes LFV vlog documenting the visit, the art, and our creative debriefs.
👉 Subscribe to the Art Shouse YouTube Channel so you don't miss the upcoming video drop!
Emerging Contemporary Art Trends at Tokyo Gendai
Walking the floors of Tokyo Gendai, we were were always mindful of curation styles, presentation techniques, and aesthetic directions across 69 world-class galleries from Europe, Asia, and Oceania. For collectors looking to acquire original contemporary art or investment pieces, several distinct shifts stood out:
- Texture and Scale: The rise of AI and rampant copyright infringement has clearly impacted the art scene, and one obvious pivot is to provide a truly tactile experience. Within the context of these art shows, highly textured abstract paintings and large-scale expressive artworks seemed far more prevalent than we had imagined - especially considering the high cost of freighting large-scale pieces. This suggests that international collectors or at least curators, are gravitating toward the undeniable, physical presence of the artist’s hand on canvas.
- The Evolution of the Paper Sector: Traditional paper practices and craftsmanship are being given a dedicated platform. Photography, prints, and drawings all have their own beautifully curated sections.
- Interdisciplinary Expansions: Digital elements within physical spaces were given a fair amount of floor space. Kevin Abosch was an enlightenment, we weren't familiar with his work until now. There was a strong focus on digital media, NFTs and animation. While we are yet to fully realise how these might fit into our own practice or a buyer's collection, seeing them up close was fascinating.

🎨 Collector’s Note: We are already back in the studio, translating these global experiences into our upcoming collections. To secure a piece from our next exclusive drop before it goes public, explore our current portfolios or join our inner circle:
- Browse original abstract paintings on Cheryl Harrison Art
- View cutting-edge contemporary works on PEZ Art
Navigating the Global Art Market as Independent Artists
Beyond the visual feast, we were keen to see the commercial mechanics playing out at a top-tier global art fair. Navigating the traditional gallery system can often feel like a closed shop for independent creators, but our time in Yokohama revealed new blueprints for scaling an art business globally. Not necessarily new information for us but ideas from basic business practises reframed and applied to the global art fair market.
We spent hours analysing how international players price, market, and package contemporary art for global buyers. We looked at the critical balance between physical representation and how artists can leverage cross-border collaborations to break into new geographical regions.
The insights we gathered are game-changers for how we intend to position our original works moving forward. Whether it's rethinking how we structure our exclusive studio drops or how we connect directly with collectors, we are bringing a completely refreshed global strategy back to the Art Shouse.

Tokyo Gendai: Fast Facts & Visitor Logistics
A keen collector?... Planning your own creative pilgrimage or looking to exhibit at the next edition? Here is a quick logistical breakdown of the fair's mechanics and travel metrics:
- Viewer Ticket Costs: A general adult one-day admission ticket costs ¥5,000 when purchased during the standard sale window on the ArtSticker Ticketing Platform. For those looking for better value, special entry alternatives like the "Friday Evening Ticket" offer an affordable way to view the galleries, while up to two children under 12 enter completely free with a paying adult according to the official Tokyo Gendai Tickets Guide.
- Exhibitor Application Costs: Securing a space within the elite gallery sectors requires a formal curation review. Galleries must submit an initial, non-refundable application fee of $250 USD (plus a 10% consumption tax) just to enter the selection pool.
- Distance & Travel Costs from Tokyo: Located roughly 35 to 40 kilometres south of central Tokyo hubs, reaching the Pacifico Yokohama venue is straightforward. Standard local commuter trains running from major anchors like Tokyo Station or Shibuya Station direct to the Yokohama area take approximately 30 to 40 minutes, with train tickets ranging affordably between ¥500 and ¥950 each way via routes mapped out on Rome2Rio's Travel Planner.

Watch Our Tokyo Gendai Behind-the-Scenes Vlog
The photos simply don’t do justice to the scale of the art or the energy of Yokohama. That’s why we documented the entire experience for our creative community.
Our upcoming Art Shouse LFV vlog gives you an unfiltered, behind-the-scenes look at the trip:
- A Front-Row Seat: Up-close footage of international contemporary art and experimental booths.
- The Honest Business Chat: A transparent breakdown of the international art market realities and how we plan to apply these global pathways to our own art practices.
- The Travel: The trains, the late-night ramen, the creative exhaustion... and Japan.
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Fuelled by the 'Bladerunner' feel of Tokyo in non-stop pouring rain and the experience of Gendai, we'll be heading straight back to the canvas in our tropical Art Shouse... just love the way that sounds after a few weeks of weather like that!
Don't miss out on the exclusive studio insights, early access to some of our Tokyo vlogs, and first-choice privileges on our upcoming, Japan-inspired pieces... no promises they'll materialise, but that's the dream.
Artist Credits:
- Mr. (Masakatsu Iwamoto), Japan (Perrotin Gallery Profile)
- Kevin Abosch, Ireland (Official Website)
- Patricia Piccinini, Australia (Official Website)
- Edgar Plans, Spain (Official Website)
- Kazuki Takakura, Japan (Official Website)
- Takuma Oue, Japan (Taka Ishii Gallery Profile)
